2017 open arts project in Busan
作品名稱：九德藝術棲地
創作者：李蕢至
材質：樹枝、麻繩
尺寸：6m(L) x3 m(W)x 3m(H)
年代：2017
地點：韓國釜山九德山 (35.1276 N, 128.9942E)
作品概念：
藝術家就像是自然訊息的接收者，透過藝術語言將自然的話語說出。將本身自然的經驗轉化成一幅幅詩意的圖像。
遠古時代有許多有趣的故事是跟石頭有關的。比如人的誕生、鬼神傳說、精靈故事等等。那些故事傳誦至今仍然對於現代社會有著一定程度的影響。我們都以敬畏和尊重自然倫理的方式傾聽著自然。
釜山在新石器時代發現許多的貝塚遺跡，城市矗立在這高低起伏的山上，而人民就生活在這臨海又近山的地帶。「山」是我對於釜山的強烈映象。在我駐村地點附近的九德山，山路上積聚了大大小小的石頭。石頭是堅毅精神的象徵，而樹枝的柔軟性質則是充滿創造力的生命。
此作品屬於「生境」系列作品之一，我選擇結合九德山上的一塊巨石，試圖創造一個小棲地。它就像是個有機體，靜靜地休憩在這裡。回應著這個特殊的環境與文化，也訴說著人與自然共存的重要。
2017 International Open Arts Project in Busan
Title: Gudeok Art Habitat
Artist: Lee, Kuei-Chih
Material: Stone, Branches, Sisal rope
Size: 6m(L) x3 m(W)x 3m(H)
Year: 2017
Location: Gudeok mountain, Busan, Korea (35.1276 N, 128.9942E)
Work conception:
The artist looks like the recipient of the natural message. They speak the natural whisper through the art form.They transform their own natural experience to the poetic image.
There are many ancient stories are related about the stone. Such as the birth of man,Spirits legend, Wizard story and so on.Those stories are still having a certain degree of impact on modern society.We all listened to the nature with awe and respect with the natural ethics.
Busan found a lot of shellfish relics in the Neolithic Age. The cities stand on this high and low mountains and people resident in there that nearby the ocean and the mountains. "Mountain" is my strong image of Busan. My residency space locates nearby the Gudeok Mountain. The mountain has accumulated large and small stones on the path. Stone is the symbol of perseverance for human being and the soft nature of the branches is about creativity of life.
This work belongs to one of the "Habitat" series. It combines the big stone and the site branches of the GudeokMountain which I choose, and try to create a habitat here. It seems like an organism quietly resting here. It responds this special environment and culture, and tells the importance of coexistence between man and nature.
타이틀: 구덕예술해비타트(거주지)
아티스트: 이괴지李蕢至(Lee, Kuei-Chih)
재료: 돌, 가지, 사이잘로프
장소: :35.1276 N, 128.9942E
작업컨셉
이예술가는자연의메시지를받은듯하다. 그들은예술의형태로자연과속삭인다. 그리고그들의자연적인경험을시적인이미지로승화한다. 돌에관한아주많은고전이야기가있다. 인간의탄생, 영혼에관한전설,마법사이야기등등과같다.이이야기들은지금현재중요한사회의영향력을어느정도가지고있다.우리모두는자연의경외감을듣고자연적인도덕심을존경한다.
부산은신석기시대의조개유물들을많이발견된다. 이도시는높고낮은산들에어울러있고부산사람들은바다주변에그리고산주변에서살아간다. “산”은나에게강한부산의이미지이다. 나의레지던시공간은구덕산옆에자리잡았다. 이산의길은크고작은돌로쌓여만들어져있다. 그돌은인간을위해보존된심볼(상징)을나타내고부드러운자연의나뭇가지들은생명의창조함을나타낸다.
이작품은해비타트(Habitat,거주지) 시리즈에포함된다. 이것들이큰돌과구덕산에서내가고른장소와결합하여만들고나는이곳을해비타트(Habitat,거주지)로만들려고노력했다. 꼭하나의생물체가조용히존재하는듯해보인다. 이번작품은이특수한환경과문화에답하는작품이고인간과자연의공존의중요성을말하고있다.
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